Tv Drama is a literary term derived from Greek and means action. “Theatre” can be defined as “the act of being performed in front of an audience with the characters on the stage.” Its beginnings stick to the Greek religion of acting to entertain him before God. They mainly wrote tragedy and comedy. In English literature, its beginnings are also associated with religious plays, literary plays, mystery plays, miraculous plays, moral plays, tragedy, comedy, and contemporary plays. Hyundai divides it into feature films and short films.
The following are the most important elements of the drama.
It is the most important factor, without which the drama will never run. The name of the place played in the pinoy teleserye. It is shaped like a bow with various doors for entrances and exits. The character comes through one door, plays a role, and exits through the other door. Roughly speaking, there are two stages, one for the character and one for the audience, but the audience stage is different. The audience praises the actor by watching the drama. The acting is being watched from both sides. One has a perfect action, the other has a perfect reaction expressed by words, gestures and emotions, rolling ideas in the mind of the audience.
It’s an agreement of events. The writer makes thoughts in his mind without the lines from the person he makes the story. In other words, a plot is a set of events or actions that are collected to create a story. The playwright divides the plot or event into three different parts: description, middle or body and endowment.
Me. Introductory or commentary: It is found or placed at the beginning or beginning of the drama. There are all the characters there, and the main issues in which the drama is written are introduced to the audience. The audience can easily understand the relationship and movement of the drama. Giving the actor positive and negative emotions according to the category is a great help to him. The main issue is familiar and developed to get into the body of the drama.
ii. Middle or Body: Conflicts in this area cause ascending and descending actions. It’s the body of the drama, where heroes and villains come face-to-face and speed up their thoughts and tricks, whether they’re positive or not. In it, the audience becomes familiar with the internal and external conflicts of the main character. The internal conflict is between the protagonist and his conscience, and the external conflict is between the protagonist and the villain. Both fight or try to knock down each other. Their quarrel peaked and now has to fall to the end. That means that all conflicts and problems are in the process of being resolved, but in reality they are not.
iii. Denouement: It’s the stage of catharsis or problem solving. Shakespeare supports the statement that virtues are rewarded and vices are punished. At this stage, there is a falldown for all actions. This is where the conflict is resolved and then the tension between the characters and the audience is released. They all go to the previous level.
The story is carried over by the character. Playwrights feature characters from all classes, including heroes, heroines, and villain attendants. However, the main focus remains on the main characters such as heroes, heroins, and villains. Find a great set of characters and get emotions from the audience by acting. .. The struggle of actors and all characters adds help and work to the hero. The protagonist must take dangerous or adventurous actions, and for him other minor or major characters make his goals achievable. As a result, the hero succeeds in eradicating evil from society.
All characters work in good faith. Certainly they are very loyal to their profession. For example:Heroes are loyal to the actions of heroin, and villains are sincere to malicious acts, attendants, and servants of their profession. It is honesty, dedication, or integrity that drives their work as real work. In this way, the drama is dominated by the reality of the characters. That’s why the drama is called a reflection of society
The story is written in an interactive format with the characters. Playwrights keep dialogue simple and short, as the characters emit them easily, but in a breath. Playwrights put a spirit of charm. These dialogues have emotions that the audience feels. Therefore, the happiness of a character is considered to be not only sadness but also the happiness of the audience. The audience may laugh or weep and cry.
It is the power to speak to yourself unconsciously and voluntarily. It occurs when a person is under the dreaded control of disappointment, is found in a dilemma, or is out of balance when his mind is looking for catharsis. In such battles, various ideas come out spontaneously and out of control. Such a way of speaking makes him unnoticed, he thinks he is speaking to himself, and everything is secret to him.